观后感要注重对作品的情感共鸣和思想启迪，要引发读者的共鸣和思考，杰出的观后感是对电影表演技巧和演员表现的赞赏和赏识，以下是360好工作网小编精心为您推荐的刮痧的英文观后感8篇，供大家参考。
刮痧的英文观后感篇1
总是认为，在美国的中国人只要解决了绿卡的问题，那么就相当于在那里定足了，稳定了。可是看完《刮痧》之后，就不觉得了，更多的明白的是在异国国人的艰辛。
许大同有了荣誉有了房子有了车子，老婆和儿子都有，可是还是存在着很多问题。种族差异是其中最主要的，那里面的文化问题是不可逾越的，不可解决的，这是几千年下来的问题。刮痧，在身上刮出一条一条的，片中所说的，像烤牛排一样鲜红的印子。就是这样的印迹，就让一个家庭支离破碎。
在我这个土生土长的从未走出国门看世界的孩子来说，完全不能想象地域文化差异带来的种.种问题。可是看了这部片子之后，却会觉得在一个文化相通的地方是一件多么幸福的事情。
这部片子的感情个性细腻，一路下来扣住观众的心，丝毫不放松。100分钟下来，欢笑、泪水，从未停歇。至少，我能够明确的感受到那里面表达的情感。在异乡巨大的压力之下的无奈和苦苦忍耐;应对文化差异的无能为力。觉得这部片子不容易，就像人生。
刮痧最让我感触的就是那里面的父爱了吧。那种男生之间的爱。是那么的深厚，是职责和承担。就像刮痧，一下一下，最开始没感觉，慢慢的，身体会感受到热，最终身上留下触目的印迹，可是换来的却是一身的简单。男生之间就是这样吧，不着痕迹，就像春雨，润物细无声。
父爱，就是这样，深厚却不言语。可是，回首是一片的触目惊心，那都是动人的场景。所以，父爱也总是外人看得真切，就像刮痧。
老许和许大同之间的父爱是老北京男生的爱。是承担和隐忍。
老徐来美国，是应了许大同的邀请吧，也想看看自我的孙子。一个在中国也是知识分子的老人只身一人来到美国，一句抱怨也没有，哪怕听不懂，不能说，可是用自我的眼睛，慢慢观察，细细相处。这样的男生是充满智慧的，他看明了，也只是抽烟，也许这样他能够沉默，他能够更加想清楚，想透彻。可是他不是没有缺点的，第一次看见老霍，竟高兴的用北京的爷们性格给他一拍，满天的黄色的粉，这是爽朗，可是细细想来，这也是不够大气的表现，不顾场合，不识大体。可是，这样的情感是真切的，直爽的。再而就是自负，自诩自我的中国的知识分子，到了美国却没有想过要学习英语，只是用他觉得足够丰富的人生经验处事。最终就是他的毛病，抽烟，抽烟的频率实在是太大，不论场合，不论地点都抽。哪怕媳妇再不喜爱也要偷偷的抽，就就是他的不识趣了。
说了这么多，并不是不喜爱他而挑刺，更是正因喜爱他，喜爱他的有血有肉，喜爱他的父感情深。就是这样一个优缺点都明朗的人，才让我更加感受到父亲的宽厚，固执，聪明。
他给丹尼斯刮痧，最终没想到会扯上这么多事，他主动儿子上司家里解释，他不懂英语，搭车过也只是一张纸片，可是他有他的聪明，最终他还是让上司明白刮痧不是许大同做的，并且，刮痧也不是件虐待儿童的事。最终，让我佩服的是，上司开车送他回家，不管是上司的礼貌还是什么，至少证明他是有人格魅力的，不然没有人会乐意这么远送人回家，个性是在美国这个注重时刻的地方。
他为自我的行为负责，他选取离开美国，回到那个熟悉的地方，许大同送他。他心里惦记的依旧是许大同一家三口的事，最终许大同提出要带着他和丹尼斯一齐回国，可是他骂了他。他更懂得职责，他明白职责，就要勇敢的承担，他的肩膀宽厚，他承担了很多，也期望儿子明白，人生就是这样，不是你不喜爱，你不能适应了，就逃避了。而是承担，正因他是男生，更要肩负一个家庭，没有他，就没有了顶梁柱，家就不是家。他没有一个完整的家，可是却履行了一个完整的家男性的主角。
他回国，满心忙碌着寻找刮痧这件中国国粹的事，复印给美国的儿子，就是为了弥补自我无心犯的错，他是爱许大同的，他是一个有职责的父亲。
这样的父爱，总让我想起身后那个宽大的身影，那个父亲，那个不管我犯了什么错都愿意原谅我，愿意包容我，让我成长，看我长大的父亲。
许大同，更是戏剧化，他的坏脾气，他的爱，是一个没有经过任何修饰的，丝毫不掩饰，有了很多美国的气息，更多的直接和鲜明的表达。
在丹尼斯和保罗打架，他硬生生的给了丹尼斯一掌，他在用中国的方式表示了他对上司的尊重，可是他不明白，文化差异是一件多么夸张的事情。最终他也是向上司狂吼，你不是中国人。他太固执，可是又不能不说有原则。
儿子不能回家，他心力交瘁，他用中国的方式求上司，求朋友，可是美国是个讲求原则和证据的地方，不是这样就能够解决的，可是，这样一个把自尊看得很重的男生，还是了。为自我写证词，证明自我多么多么爱孩子，组织了无数次，在听证会上他是有感而发，那是一个父亲对儿子的爱，是真挚的，善良的。
对方的律师对孙悟空的故意扭曲使他生气，正因他觉得他就是孙悟空，那就是他的道德典范。那个虽则意气用事，可是真的猴子，那个为了帮忙师傅被误解也不抛弃任务的猴子，他就是猴子，看似乖张，心里却都是爱。他难免不发飙，可是为了儿子他在后面答应了和妻子分居，那是低头。在外人面前怎样也要强势，在背后为了自我爱的人低头，这就是一个典型的中国男生形象。
他确实十分鲁莽的，送父亲离国，也是能够做出一些不合规则的行动来。他擅自带着丹尼斯到飞机场，企图带着他和父亲回家。对他而言，家是很重要的，就是重要所以当它破碎的时候，却只能想到逃脱。是父亲的话让他清醒，他明白了职责，就像那只猴子，原先只会打妖怪，只会冲动，能够之后，越来越明白，有时候能够透过其他的方式解决，也明白承担这份自我的任务了。他长大了。
他开车带着儿子抚养院，他不想让儿子年幼就明白一些不好的事，一些触及法律的事，他假装简单的带着儿子和警察玩游戏，一路上他看着儿子的笑脸，自我深处的苦也就这样一点点的消散了。最终儿子睡熟了，他也到了，警察逮捕了他，那只猴子被众人踩在脚下，那是丹尼斯最爱的玩具。
圣诞节，就是美国的信念，一家人等待他的团聚，哪怕简宁明白他怕是回不来了，可是他在电话里说，他会，并且会给丹尼斯一份大的圣诞礼物。
他在公园里，迎着寒风，自我做了一个有孙悟空面相的熊仔，在公园被打劫，二话不说的把钱包给他，可是劫犯伸手抢走他的熊仔时，他奋力的扑上，好像什么都不怕，差一点把他打死，这样的勇猛也是爱的表现。
最终，他化身圣诞老人企图进入家里，可是被发现，他竟想着从外排水管爬上，幸好法院撤销他的分居事宜，不然他这样进又是违法。最终，他和丹尼斯，简宁团聚。这是最好的结局。
新年欢乐。
爸爸，你为什么从窗户里进来啊。
正因我们家没有烟囱。
他到最终也没有告诉丹尼斯真相，这样也好，这样宽厚和承担是一个父亲给儿子最好的礼物。
中国的父亲，全天下的父亲都是这样，为了孩子能够做很多很多他们以为做不到的事，父爱也许不及母爱那样细腻。但他就像孙悟空，不管前途多么艰辛，他依旧会对你笑，一眼嬉戏的带着你千山万水，不然你看出他的疲倦。父爱，深深感动。
刮痧的英文观后感篇2
when i first saw this film’s name ,i considered it as a movie that told us something about chinese traditional therapy treatment. however , after the movie , i realized guasha was just a symbol of the difference between chinese culture and western culture , and there were many aspects we should have a deep consideration .
at the beginning of the film , xu datong slaps his son denis on his face before the crowd , because denis hit the son of xu’s son and xu just want to show the respect to his boss quinlan , that time quinlan feels puzzled and says“what a chinese logic”. of course , an american can never know a chinese logic of interpersonal relationship which has been prolonged more than 2000 years . chinese can wronged their children in order to maintain friendships and leader-member relation ,while american think everyone is equal and free .
in addition , they can also never understand chinese hit their children because of loving them . in america , people pay more attention to the right of children which can be seen from the law-beating children or leave them alone is illegal , but a chinese old proverb says “ spare the rod , spoil the child” .
another scene which makes me deliberate is that the lawyer vilifies sun wukong in a journey to the west as a symbol of
barbarism and violence in the court ,then datong is eaged and then rushes to fight the lawyer . we all can know the reason ,because sun wukong is a hero on behalf of justice , representing chinese traditional values and virtues .
guasha treatment tells us that the key to avoid the conflict of different cultures is mutual understanding and tolerance.
刮痧的英文观后感篇3
the differences between chinese and western cultures
----from the movie “gua sha”
1 introduction
gua sha is a movie about the differences between american and chinese culture. the story takes place in st. louis. xu datong has been to the united states for eight years. he is a successful game-designer with a happy family. one day, his son dennis is sick. the grandpa uses the chinese traditional therapy named gua sha to help him which leaves bright red marks on the skin. and then, dennis is left at home alone and he has an accident. he is sent to the hospital so the doctor sees the scar on his back. the doctor doubts if the child is abused at home. in the court, every witness and testimony make datong lose the custody of his son. then, it makes datong break up families and he loses his friends and job. finally, datong climbs up the pipe to the ninth floor which his family live to see his son on christmas eve. at the same time, his friend john tells them that he can live with his family and the court has learned gua sha.
the film reflects many differences between american and chinese cultures, including the legal system, ethical standards, the traditional chinese medicine theory and many other issues.
2 the differences between chinese and western cultures
2.1 the difference in the legal system
in america, parents shouldn’t leave their child alone and can’t abuse the child. if they break the law, they may be taken to the police station. what’s more, their children will be separated from them. children are protected by laws. in the film, the family gets in this trouble. but the rule doesn’t work in china. in china, parents have the right to beat them when children don’t obey their words.
from the movie, datong slaps dennis because he wants dennis to apologize to paul but dennis refuses. paul’s father can’t understand him at all. however, datong says that it is to show his respect to him and give him face. chinese think that the child is their private property. he is my son so he is mine. i can beat him because he does not obey my words. but in america, every one is equal, including parents and children. in american’s eyes, it is illegal to beat someone. parents seldom decide something for their children. they want their children to fight for themselves.
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2.2 the difference in ethical standards
chinese pay more attention to the whole and we think that everyone should devote himself to the family. in traditional chinese culture, filial piety is one of the most important things. in the film, we can see that datong admits that he does gua sha to his son. he doesn’t want his father to worry about dennis so he tells his father nothing. he takes dennis out of the welfare centre to meet with his father who will go back to chinese. however, american values themselves. they are educated with independent spirit. they do not have strong feelings with their family.
there are also many differences in the views on friendship. stewad and bennet discuss american friends: "although americans keep many friendly and unofficial ties, but they rarely make those deep. at the same time, when people choose friends, they also make it separate from others." however, it is different in china. we want to have several close friends. and as a friend of mine, you should help me to do many things without a return. when datong’s boss in the court admits that datong has beaten his son, datong thinks he is my friend but he betrays me. and the boss believes that he just says the truth. integrity is an important virtue in america. american won’t tell a lie even though he is your friend.
2.3 the difference in the views on the traditional chinese medicine theory
we can see it from the origin of different cultures. the philosophy of china and america are different. the western people prefer rationalism while the chinese like exploring the relationship between the nature and human. in the court, datong tells them what gua sha is. but nobody can understand him. even his lawyer finds it too difficult to understand.
3 conclusion
the film reflects many differences between american and chinese cultures. at the same time, it also expresses cultural assimilation. in the movie, the american man queensland searches for a clinic to try gua sha. we can see that american is willing to learn chinese cultures. the film has a happy ending, but it also ignores some cultural differences. i hope one day we might not be damaged by cultural differences and the world would be a “datong” world.
刮痧的英文观后感篇4
片子总的来说是成功的，看《刮痧》容易让人想起李安的父亲三部曲，可是又有不小的差别。
李安的电影更加细腻，文化、情感冲突来的安静一些，而这部《刮痧》的冲突是很强烈的。并且李安的电影一般是描述家庭内部的思想文化冲突来影射中西文化冲突，他的电影中，新一代一般是被西化了的，西方或者说是美国文化的代表不是纯粹的美国人，这可能要追究到李安的家庭情节，把一切的思想的表达融入到家庭冲突之中。而《刮痧》将枪口直指中美文化的极致——“刮痧”。片子的前部分显然要优于后一部分，前部分冲突不断，感人至深;然而后部分，不客气的说是有点“矫情”。这个问题出于：导演急于给影片一个进取的结尾和主题。可是“刮痧”放到国际则不是那么快速、也不是那么容易理解的。片子的最终，主题也没有得到升华，只是他们团圆了，时候呢说这电影后部分矫情则是出于“爬屋顶”一段戏，这种类型的桥段多用于港式小浪漫，但在这个严肃的话题之下则是失败的，导演本想用这段来拽取观众的眼泪，可是这不是港式感情片(相爱的男女主角无奈分开后，在影片最终五分中相遇，亲吻结束)。
片子的中我们能够看到导演试图将“刮痧”拓展到一个更大范围的文化差异，例如：管教孩子，中国说的是“打是亲，骂是爱，不打不骂不成才”，而美国人对于“打孩子”联想到的只是“虐待”或者“犯罪”再不会又“爱”这个字眼;中国人一贯的道德规范之中有一条是“父债子还”，而美国人则是没有这种情节的，所以山姆大叔永远不会明白许大同替父担当“罪名”。这样的拓展是十分有必要的，可是也许是因为片子中的“刮痧”冲突太大，这样的拓展没有到达该有的效果，被什么东西拽住了。
我有一点很是费解，为什么他们夫妻说话的时候总是用英语，就算是吵架，就算是喝醉了以后。我和我们女朋友此刻都在外省上学，可是我们在一齐的时候总是说方言，两个中国人在一齐老说英语有点怪怪的。
片子中表演最好的数梁家辉了，我最喜欢的片段是，大同和父亲在机场的告别，还有夫妻一齐喝酒痛哭的片段。也是片子中最感人的地方了。
刮痧的英文观后感篇5
1、gua sha is a movie about the differences between american and chinese culture. xu datong is a video games designer in st. louis. when his father visits from china, he performs gua sha (a chinese traditional treatment) on his grandson, which leaves bright red marks on the skin and causes a lawsuit of child abuse. in the court, datong loses his mind so that finally he loses custody of his son. i think this scene is shocking and thought-provoking to most of the chinese audiences. but the most impressing scene to me is the ending. datong wants to see his son in christmas eve, he has to climb a pipe to the ninth floor which his son lives. i think the pipe is not only a pipe, but also a gap, a deep gap between american and 5000-year chinese culture. he wants to climb over the gap and he will never succeed, perhaps no chinese people really could succeed.
2、guasha is really a depressive movie. it depresses me much more than crash. crash talks about the racial discrimination, a serious issues, while this talks about culture shock, not so serious, maybe. however, it shocks me more.
there’re a lot of conflicts in this movie, such as the criteria of abusing children, the using languages between the different generations, the ways of teaching children. of course, the main one is chinese traditional values and american ones. it is showed on two characters, datong and his father.
grandpa is a chinese traditional highbrow; he can accept the american values partly, but not to follow. at last, he chose to leave. he went back to peking. between two families, one is his country, another is his own family including his son with american dream, he chose the former. for an old chinese, i think it’s a good choice. also, guasha is done by grandpa which is the main clue of the movie.
datong is the central character. his words, his actions, his thoughtway, all represent the chinese traditional values. he is the typical that the director chose to exprethe theme. all conflicts are focus on him. on him, you see the culture shock.
the line that impresses me most is ” because he is chinese.” after ma-ki-ng so many conflicts, the director tells us the reason of all. it hits the nail on the head. here, the director forces you to face the reality of this society, in that melting pot, culture shock can be a big problem. i’m happy that the director is a chinese, so , we can safely conclude that we chinese are no longer as numb as luxun described in his novels. however, what he can do is just shows us the truth, not the method to solve the problem.
i’ve well understood the culture shock since i live with yao. it confuses me why there should be such a big gap between two chinese. especially when that gap is totally different from those between you and me or him and her. sometimes we just argued for some ” common sense” in guangdong which she completely can’t accept. different families’ settings , different regional traditions, and of course, different characters, perhaps are the reasons for this gap. however, we can do nothing with this gap but get accustomed to it.
in all, i don’t like this genre of movie which uses the cruel facts to criticize the society. it’s so cruel and depressive that you almost lose the hope to our society and have no bravery to face the truth. anyway, it makes us tough, too.
刮痧的英文观后感篇6
chinese immigrants struggle to hold onto their american dream after the husband's father（xu zhu）comes for a visit from mainland china and gives a si-mp-le chinese medicine therapy called gua sha to his grandson.
da tong（tony leung ka fai）is the father who is trying to integrate his chinese cultural beliefs into his daily american reality, especially when dealing with his bo（hollis huston）and best friend, who is too quick to believe the worst about da tong's treatment of his son, dennis. da tong's failures show his confusion about the differences between his original chinese culture and his new american home. even within his family there is conflict because grandfather can't speak english and is excluded from many conversations because mother（wenli jiang）wants only english spoken in her home for the benefit of her american born son. da tong and his wife are very well educated and understand that their child's best chances for succein america, and for him not to experience the same troubles they've had during the past 8 years, are to speak without an accent. they even go so far as to insist the boy use a fork and knife instead of chopsticks, even when it's obvious they are still eating chinese style food, served in the normal way: communal dishes for the food and smaller, individual rice bowls for each person. mother seems a bit inflexible in her insistence on being as american as possible, while da tong's cultural leanings are just as strongly chinese, although not by conscious choice.
da tong's love for his son is tested severely when da tong tries to balance it against respect for his boss. when da tong's son hits his boss' son, da tong insists on an apology that seems
unnecessary and makes da tong look stubborn and uncaring. da tong gives his boy a light rap on the head when he refuses to apologize and the boy cries to his mother that the reason he hit his playmate was that the other boy called da tong stupid, one of many examples of doing the wrong thing to protect your family.
the conflict arising from doing the wrong thing out of love or respect for one's family or closest friends continues throughout the movie, and every way da tong turns, he finds failure and encounters both obvious and subtle forms of anti-chinese racism.even chinese folklore about the monkey king, sun wu kong, that da tong incorporates into a video game he designed is used to provoke his pride when he's vulnerable and fearing for the loof his son. da tong is misunderstood by everyone, family, friend, and foe, even though he has only the best intentions, and he carries the responsibility quite heavily, ma-ki-ng one wrong turn after another.
gua sha (motivational model yuedu.shows how a person's cultural beliefs are so deeply set within oneself that it is usually impossible to examine why you do most anything, from how you dreand talk to whom you love and respect and how you show it. the invisible nature of one's cultural beliefs also makes it difficult to impossible to explain yourself to others when questioned. da tong experiences an excruciatingly painful and difficult struggle while trying to protect his son, an ordeal that forces him to examine the validity of some of the most vital things he thought he knew about his identity, his chinese culture, and the new american world he'd chosen as his home.
the movie showed me how normal it is for people to look for ways that their culture is superior to others' and how the misunderstandings arising from different cultural perspectives can seem very large, but can be nullified with si-mp-le, 2-sided explanations when people are willing to listen.
it appears this film is not readily available in the usa, but it's the best i've seen at highlighting the differences between american and chinese culture. parts of the movie's dialog are only in chinese and i've yet to find a dvd with english subtitles, although it's easy to get the gist of what's going on during those short passages. the credits are a combination of chinese and english, holding true to the integration of both worlds. i've noticed some important roles are not credited here on imdb, such as judge horowitz, who was played by alexander barton.
刮痧的英文观后感篇7
电影《刮痧》是一部反映中美文化冲突的影片，由梁家辉和蒋雯丽主演。梁家辉主演的许大同在美国打拼了八年，最终拥有了成功的事业和幸福的家庭，他把在北京生活的老父亲接到美国同住。一次，许大同六岁的儿子丹尼尔肚子痛，老爷子就用中国传统的疗法给孙子刮痧。结果，丹尼尔意外受了点外伤，在医院理解检查时，医护人员看到他背上的痧痕，怀疑这孩子在家里长期受到虐待，于是联系了美国儿童保护中心，从而引起了一系列的官司。
许大同虽然在美国生活了八年，却没有练就出“美国式”的思维，这使得他在这次官司中处处碰壁。在为他举办的颁奖式上，他的儿子打了上司的儿子，他要求儿子向对方道歉，儿子不从，他当着众人出手打了儿子，老爷子指出他这是“当面教子背后教妻呀”。之后，正因刮痧的事情他被指控“虐待儿子”，听证后上对方律师请来他那位上司证明他是否真的动手打过儿子，这位上司不敢对法官撒谎只能回答“yes”，许大同据此认为上司出卖了他而提出辞职，上司认为他所谓的正因尊重上司而打自我的儿子是不可理喻的“中国逻辑”时，许大同用汉语脱口而出“道不一样不相与谋。”听证会上对方请的另一个证人是当年给他儿子接产的护士，这位护士指出他在危急时刻以前说过“保大人不管小孩”，他又一次用汉语脱口而出“留得青山在，不怕没柴烧”，可见他在说出满口纯正英语的时候，骨子里根深蒂固的还是“中国式”思维。
美国人不了解中国的刮痧，法律上也不承认其合法性，许大同在听证会上很激动地讲着“人体的七经八脉像无数小溪流向江河又奔向大海，气发自丹田又回到丹田……”，没有一个法官或是律师能够听懂，他们要求找医学权威来证明，可是这样的权威在美国根本就没有，于是案情的发展越来越让人揪心甚至愤慨：儿子丹尼尔只能被放在福利院，和被父母抛弃的孩子生活在一齐，以至于他认为父母是要抛弃自我;许大同这边的辩护却一次次失利……个性名
影片在后半部分却有不少感人的镜头，老爷子找到许大同的朋友——一个做版权辩护的律师约翰，连比划带画图告诉他不是许大同给丹尼尔刮的痧，而是他刮的。约翰问许大同的妻子——蒋雯丽扮演的简宁“为什么他在法庭上要说是他做的”简宁回答“正因他是中国人”。这真是一个意味深长的答案!大同和他的父亲、大同和他的儿子、老爷子和孙子之间发生的故事，皆正因他们是中国人，在中国司空见惯的事情与道理，到了美国却说不清楚了，一个深爱儿子的父亲被指控“虐待孩子”，却没有办法证明自我的无辜。
故事的转折是从律师约翰那里开始的。约翰自我找了一个中医去体验刮痧，这位中医一边用英语给他说刮痧的原理，一边在他后背上刮出了深深地痧痕，然后让他用镜子看自我的后背，问他是否感觉这是“虐待”，约翰最终明白了一切。圣诞节的夜晚，约翰去找原告方，告诉对方他有一个“两千年的理由”。而另一边，大同和妻子协商了分居，这样儿子好歹能够和妈妈在一齐，而爸爸则不允许靠近。圣诞节的夜晚，这位痴情的父亲正因被保安拒绝回到自我家里而选取了爬窗户，他扮演成圣诞老人从一层爬到了自家九层的窗户上，整个过程有惊无险，一家人最终团聚，约翰和原本起诉他们的劳瑞娜一齐来告诉他们：法官已经撤回了禁令。”
这真的是一部优秀的电影，不一样文化之间的差异与冲突是主题，然而影片也从很多方面展示了人与人之间的明白，展示了人性中完美的一面，尤其是其中表现亲情的情节，几次使我落泪。在人物对白上，有中国式的含蓄与深情，也有美国式的简洁与幽默。中国方面的几个主演都是演技派的，自然不必多说。我这一段时刻也去影院看了几部影片，都懒得写点感受，看来这部电影真的是“打动我心”了。
刮痧的英文观后感篇8
?刮痧》这部电影借一件小事反映了中美文化(或者说东西方文化)的冲突。电影中许大同的父亲的一句话最能说明这个问题。他说，刮痧在中国已经几千年了，怎样一到美国就说不清楚了呢其实说不清楚的何止是刮痧这种传统的中医疗法。象许大同代替父亲承认是自我给孩子“刮痧”，许大同对上司说的“我打孩子是对你的尊重”等等中国的传统道德规范，在上司桑兰那里又何曾得到理解和认同。中国传统礼貌古国，有着丰富的民族文化与民族传统，两千年儒家文化孕育下的华夏民族，忠孝礼仪深入人心。民族思想，爱国情操，是每一个公民，更加感性化。
美国现代礼貌国家，区区三百年历史，但短暂的历史恰恰使这个国家更容易理解新的思想，没有思想的累赘。现代的国家，主要体此刻他的法律之上。法理，深入到社会的各个部分，依法办事，是这个国家更制度化，更规范化。
当两个礼貌国家相撞时，又会发生怎样的故事呢
中国，两千年的发展与延绵，社会每个方面，人们都拥有他们祖先的经验，人们的行为准则，更多的是来自于社会的默许，也就是一套自我人公认的行为规范。美国，短暂的历史，决定他必须有一套自我人必须承认的社会准则。而此要在短暂的时间里是实现，就必须依靠明文规定也就是法。
两个礼貌各自独立，没有好与坏，中国，你不能说他不行，因为他的民族依靠这个几千年就没有走过灭亡的道路。美国，你不能说他不行，因为他的现代民主，是美国走在了世界的前列，望尘莫及。
美国，法律深入到社会每一个角度，每件事都将法律，涉及到人的就要讲人权，孩子，一个敏感的话题，父母教育孩子，在中国人眼里，天经地义，深入人心，对于美国人来说，他们要保护孩子的合法权利，不允许他受到不合理的待遇。在这个问题上的巨大分歧，就要求必须要交流，才能解决彼此的分歧，才能避免一些不必要的麻烦，才能避免一些重大的错误。
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